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“... scar. How can the celebrity outsider maintain a sense of his identity, or painterly authority, when he is his own subject-matter and his audience sees that subject-matter as ‘other’, less than ‘us’? Basquiat’s solutions to this dilemma are often brilliant. In the triptych Zydeco (1984), for example, a cinematographer in profile looks through the lens of his movie camera ...”

“... he staged his paintings. ‘We were surprised to learn that his suicide was so ritualistic,’ Robert Motherwell said. For me, and I imagine for many others then as now, Rothko just was his paintings – paintings that seemed, when we stood before them spellbound, to be our shifting moods themselves. It is with some trepidation that one opens a new ...”

“... Louise encouraged him. She helped with the visa and said that he could come to live with her, Robert and their children. Pierre sold his maternal inheritance – a garage in Clamart – and with the money booked his passage from France to the US. But Louise balked, and asked their father to stop Pierre leaving, without letting Pierre know she had ...”

“... In June 1995, the Museum of Modern Art in New York announced that it had acquired a series of 15 paintings by the German artist Gerhard Richter, collectively entitled October 18, 1977. At 11 p.m. on 17 October, the prison officer in charge of the four prisoners on the seventh floor of the high-security wing of Stammheim prison in Stuttgart had noted in his night duty report: ‘23 ...”

“... cowering in their consulting-rooms, and better certainly than any political scientist. Take Robert McKenzie, the television psephologist and master of the swingometer, a figure well-known in the Sixties, but now safely dead – and, as we shall see, without heirs who might want to sue on his behalf. A TV producer once had the idea of filming Abse and ...”

“... of panoptic logocrats? ‘Who whom?’ is famously a political as well as a linguistic question. Robert Burchfield in his deft and delightful book still hopes that it is possible to be a true liberal (that is, only wishy and not washy), so he says that ‘the formal distinction ... is breaking up but should be maintained where possible.’ (Would it really ...”